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Der PhD-Workshop DATAFIED RESEARCH orientierte sich am Thema der transmediale 2015 CAPTURE ALL. In diesem Zusammenhang zielte der Workshop darauf ab, die Quantifizierung aller Aspekte des Lebens infrage zu stellen.
The CAPTURE ALL design follows up the idea of the former festival edition (afterglow, 2014) – just playing it harder, rather overcomplex. By creating a hypothetic CAPTURE ALL brand/movement, of whichever nature, the design speaks in different syllables: political associations, military feel, sporty touch and postutopian nature fantasies. Overall rather techy as well as commercial with a light asian flavor. #PERFECTION
Für transmediale 2015 CAPTURE ALL realisiert raumlaborberlin eine, auf Hexagonen basierende, räumliche Struktur die sich durch Foyer und Ausstellungshalle durchzieht.
VOLUME 4, ISSUE 1, 2014
Edited by Christian Ulrik Andersen and Geoff Cox
ISSN (Print): 2245-7593
ISSN (PDF): 2245-7607
The current issue of A Peer-reviewed Journal About Post-digital Research (Volume 4 issue 1) is now online. This issue examines the implications of datafication for research. It addresses the thematic framework of the 2015 transmediale festival “Capture All” as a research topic: “to investigate and propose actions that push against the limits of today’s pervasive quantification of life, work and play”, as the call explains. Indeed, to what extent does data “capture all” – even research?
Wie sieht die Zukunft von Arbeit, Spiel und Leben durch den „Black Mirror“ von Daten aus? Wie werden sich unsere quantifizierten Lebensstrukturen entwickeln? Die transmediale 2015 thematisierte unser Verständnis gegenüber einer Kultur, die von Messungs- und Automationsabläufen abhängt, und wie man in solch einer Kultur autonom handeln kann.
Festival Echo and selected online articles
Punchcard Economy, the tiny knitting factory located in the cafe stage area during transmediale, is London-based video artist and knitting enthusiast Sam Meech's attempt to fuse the analog with the digital. At a glance, it would seem that people were simply operating knitting machines and nothing more. But, quite a bit more conceptual flavor was at a play.
We tend to think of drones as either military menaces or personal helicopter-like toys. But, in Nadav Assor and Yoni Goldstein's Lessons on Leaving Your Body we get an altogether different kind of animal. Or, in this case, a cyborg.
transmediale attendees can very easily get captured (pun intended) in the myriads of programme events. But, festival goers would do well to make a short pilgrimage to The Foyer, where a number of installations, workshops, and conferences are taking place. Within are some highlights from Saturday's Foyer Programme, from conferences to workshops and installations.
Friday night, Alexandra Cárdenas put on an algorave performance. What is algorave? It's a gathering where people dance to electronic music created by algorithms.
There is a summit of techno-monks at transmediale's CAPTURE ALL. Known as unMonastery, this collective of social innovators considers itself a "social clinic for the future" with the goal of addressing issues such as empty space, unemployment, and depleting social services.
At yesterday's "All Watched Over by Algorithms" conference, panelists weighed in on our algorithmic watchmen. Inspired by American countercultural novelist Richard Brautigan's poem "All Watched Over by Machines of Loving Grace", panelists variously suggested the ideology of Big Data is the ideology of capitalism; that pattern recognition produces paranoid states; and data mining reduces human beings to animals incapable of questioning their profilers.
After last night's opening ceremony, transmediale entered its first full day of programming, and all manner of panels, exhibitions, installations, and screenings took place at Haus der Kulturen der Welt. Many attendees will be immediately drawn to the exhibition, which features works from a number of new media artists trying to chart a creative course through this brave new world of big data. Below are some of the CAPTURE ALL exhibition's highlights, but by no means the only great work to be seen at transmediale.
For transmediale 2015 CAPTURE ALL, we collaborate with various contributors to review and comment on festival events and themes with text, image, audio and video content.
During the festival, they will share their impressions with you, so that we can show new connections between different themes and formats, and create a new layer for transmediale 2015 CAPTURE ALL.
Arbeiten von Lorna Mills
McLuhan Salon, Kanadische Botschaft, Ebertstraße 14, 10117 Berlin
Eröffnung: 27. Januar 2015, 20:00-22:00
Ausstellung: 27. January bis 1. Februar 2015, Öffnungszeiten: Montag-Freitag 12:00-18:00, Samstag-Sonntag 14:00-18:00
Seit 2007 arbeitet der Marshall McLuhan Salon der Botschaft von Kanada in Berlin für Ausstellungen und Veranstaltungen mit der transmediale zusammen. Im Rahmen der transmediale 2015 beinhaltet das Programm die Lorna Mills Ausstellung Abrupt Diplomat, das Screening Ways of Something und die Marshall McLuhan Lecture 2015 mit David Orrell.
All conference events from Auditorium and K1 will be live streamed. Currently, there's no live stream available.
Alle Konferenz-Veranstaltungen aus dem Auditorium und dem K1 sind hier im Livestream zu sehen. Zur Zeit gibt es leider keinen Livestream.
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Circe's New Equipment is a kinetic sculpture, an assemblage of paraphernalia from unwanted surplus and computer hardware elements from around from the local area of Berlin.
