One of the most imaginative traditions of British television has been documentary films about the visual arts. Screen­ ed in parts to provide a con­ text from Marc Karlins' film The Outrage (Spot Prog. 22.2. ), this selection indi­ cates some of the distinctive approaches employed over the past thirty years.. Civilisation: The Skin of Our Teeth, Ways of Seeing: Programme 1, State of the Art: History, The Late Show: John Constable, Picture House