Presented by the Winchester Centre for Global Futures in Art Design & Media at Winchester School of Art, University of Southampton 

This panel focuses on mediation and coordination of space and Space by the military. Since the advent of the Cold War, celestial bodies have featured in strategic military planning and often in controversial ways. One attempt to stem militarization was, for example, the 1967 Treaty on Principles Governing the Activities of States in the Exploration and Use of Outer Space, Including the Moon and Other Celestial Bodies which declared the moon a site free of any military activity. However, during the War on Terrorism and its protracted ghostly image in the present, the US Department of Defense’s strategic plans have included the abolishment of such quaint treaties, so that sites such as the dark side of the moon might well become the platform from which the military can convert urban centers (targets) into mirror images of munitions lift-off sites: the clichéd wasteland of the lunar landscape. These plans apply to a range of other celestial objects as well, and their relationship to militarization on and under the ground—from high-tech signaling and radio spectra, to inversed stargazing, i.e. tracking terrestrial targets from outer space. Terrestrial and extraterrestrial space provides the medium for thinking about complementary and, occasionally, contradictory desires of militarization processes. Such desires operate perhaps without a singular, centralized and human agency, but are nonetheless especially effective from the perspective of epistemological and military mapping through various media of bodies and their movements. Presentations in this panel investigate this entanglement of architectures, observation, epistemological technologies and celestial bodies.