Lina Selander lives and works in Stockholm, Sweden. Her work often focus on junctures in history where a system or physical place collapses and something new begins to emerge, the narrative of mechanical cinema giving way to that of digital video, or a political or economic system plummeting into a new one. Her works revolve around images as memories, imprints and representations. Selander’s work has been shown at Iniva (Institute of International Visual Arts), London; Index — The Swedish Contemporary Art Foundation, Stockholm; Moderna Museet, Stockholm; VOX — Centre de l’image contemporaine, Montréal, Galleri Riis, and in international group shows such as Venice Biennale 2015; Kyiv Biennale 2015; Seoul Media City Biennale 2014; Manifesta 2012 in Genk, Belgium; Bucharest Biennale 2010; and at Haus der Kulturen der Welt, Berlin.